Autumn Fields by Tore Asplund
Docent’s Take This painting makes me recall a line from Thomas Gray’s 18th-century English poem which reads “Far from the madding crowd…” which was the
Docent’s Take This painting makes me recall a line from Thomas Gray’s 18th-century English poem which reads “Far from the madding crowd…” which was the
Webpage: ashevilleart.org/exhibitions/fantastical-forms/ Contact us for images or more info. Asheville, N.C.—The Asheville Art Museum presents Fantastical Forms: Ceramics as Sculpture on view at the Museum
Curator’s Take Petroglyph I is a large oil on canvas by Joseph Fiore (1925–2008), who was a student at Black Mountain College in the summer
Just like artist Sam Gilliam mixes and blends paint colors on his draped-canvas artworks, you can combine colored dye on a cloth face mask. Materials
Whitfield Lovell’s multimedia works like One of These Days combine four distinct elements. First, he hand-draws a realistic, life-sized portrait inspired by antique photographs of
In 1946 Elaine Schmitt Urbain was living, working, and making as a student at Black Mountain College (BMC) alongside faculty, students, and staff from diverse
Curator’s take Harvey’s work encompassed both the secular and the religious worlds. This untitled mask is an example of the former category. Much of her
The Asheville Art Museum is grateful for the contributions from Rick & Maggi Swanson, Kathy Dambach, and Charles & Jennifer Riner for the purchase of
Dear Museum Members and friends, Each monthly edition of Profile brings to my mind not only how much the world has changed but also how
Evan Kafka grew up on the Maryland side of the DC Beltway, attending a technical school for electronics in the mid-1980s, then working for the