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Curator’s Take This week, we celebrate Eva Zeisel on November 13—which would have been her 114th birthday—by sharing with you some of her work in

Dear Museum Members, It’s November, and the Museum has been open for eight weeks. The staff and I have been delighted to welcome you back

EXHIBITION The written language of the Cherokee has played an integral role in the last 200 years of the peoples’ history. Contrary to most writing

The Museum is grateful for the contributions of Kevin Click and April Liou for the recent purchase of Dragon, an abstract oil painting created around 1957 by African American artist Hale Woodruff. Woodruff always saw

Docent’s Take This painting makes me recall a line from Thomas Gray’s 18th-century English poem which reads “Far from the madding crowd…” which was the

Webpage: ashevilleart.org/exhibitions/fantastical-forms/ Contact us for images or more info. Asheville, N.C.—The Asheville Art Museum presents Fantastical Forms: Ceramics as Sculpture on view at the Museum

Curator’s Take Petroglyph I is a large oil on canvas by Joseph Fiore (1925–2008), who was a student at Black Mountain College in the summer

Just like artist Sam Gilliam mixes and blends paint colors on his draped-canvas artworks, you can combine colored dye on a cloth face mask. Materials

Whitfield Lovell’s multimedia works like One of These Days combine four distinct elements. First, he hand-draws a realistic, life-sized portrait inspired by antique photographs of

In 1946 Elaine Schmitt Urbain was living, working, and making as a student at Black Mountain College (BMC) alongside faculty, students, and staff from diverse