Dear Lorna, Love Ray
The Asheville Art Museum is pleased to present its first Digital Exhibition, organized by Alex Landry, summer 2022 curatorial intern for museum diversity. Dear Lorna, Love
The Asheville Art Museum is pleased to present its first Digital Exhibition, organized by Alex Landry, summer 2022 curatorial intern for museum diversity. Dear Lorna, Love
Wanda Shult Lea Austin commonly used brushed motifs inspired by nature in her functional ceramics, as seen on this vase. At Black Mountain College, Austin
Asheville, NC—The Asheville Art Museum is pleased to announce that people world-wide can now explore more of the Museum’s diverse Collection of 20th- and 21st-century
In a galaxy far far away… or perhaps not. Star Wars has become intertwined with our day-to-day lives, seeping its way into our popular culture.
I wondered after looking closely at Jo Sandman’s painting Solstice: Did she know where those drifting black tendrils of paint would take her? Sandman (born
Exhibition on view October 20, 2022 through April 24, 2023 Asheville, NC—Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection
Lonnie Holley makes visible the unseen forces that inform society and our lives through the visual arts and music. In For Every Woman I Have
Exhibition on view September 24, 2022 through January 16, 2023 Rebel/Re-Belle: Exploring Gender, Agency, and Identity | Selections from the Asheville Art Museum and Rubell
The Asheville Art Museum is pleased to announce the recent gift of 40 artworks from the collection of John & Robyn Horn, which features important
Black Mountain College (BMC) attracted many globally known musicians to teach and attend the Music Institutes that occurred during several summer sessions. This poster shares
We hope you and your loved ones are safe after Hurricane Helene. All Asheville Art Museum staff are safe. However, we are unable to open until water is restored.
If you’d like to support us, donations are crucial to helping our staff and teaching artists continue our mission of bringing art and creativity to the community. Thank you for your generosity and support. Please stay tuned for further updates.
Jim Dine, The Heart and the Wall, 1983. Color soft-ground and spitbite etching with power tool drypoint and sanding on Somerset textured paper, 89 ⅜ × 69 ½ inches. Asheville Art Museum, 2004 Collectors’ Circle purchase. © Jim Dine / Artists Rights Society (ARS), New York.