A diverse group of young people—each offering a peek into their personality through fashion choices, body language, and relationship to one another—pose in Central Park
This delicate woodblock print by Ronald Robertson (born Detroit, MI 1927) captures in relief a cropped perspective of the swirls of tree rings encircling a reddened
These two works on paper, part of a body of work known as Lyric Suite, are from a set of over 600 unique works produced
National Medal for Museum and Library Service Recognizes Asheville Art Museum’s Community Contributions Contact us for images or more info. ASHEVILLE, NC—The Institute of Museum
Untitled #42 is a small yet significant work, created while Pindell was an assistant curator at the Museum of Modern Art in New York City.
Webpage: ashevilleart.org/exhibitions/draped-and-veiled Contact us for images or more info. Asheville, NC—Draped and Veiled: 20×24 Polaroid Photographs by Joyce Tenneson features ten large Polaroids. Organized by
Affectionately referred to as the “Dean of American Woodturners” by the American Association of Woodturners, the moniker pays tribute to Osolnik’s importance in the promotion
This signed and dated river sunset scene captures either New York’s Hudson River or New Jersey’s Passaic River, a favorite setting for American landscape painters
Cynthia Bringle began her art studies intent on becoming a painter, only to fall in love with ceramics while taking a required clay class at
Diane Arbus’s photograph of an elderly couple dressed in theatrical robes, gowns, and crowns to signify their accolades at a Senior Citizens Dance sagely dramatizes
