Asheville Art Museum - North Carolina museum exhibiting 20th century American art

American Made: Paintings and Sculpture from the DeMell Jacobsen Collection features more than 70 works of art by renowned American artists, beautifully illustrating the distinctive styles and thought-provoking art explored by American artists over the past two centuries. Though many objects from the DeMell Jacobsen Collection have been on view at other museums, this exhibition features the best of the collection brought together in one location.

The "Earth Project" series (1969), by Robert Morris, presents ten ideas for works of art shaped out of earth, atmospheric conditions, and built environments in the form of architectural plans.

This exhibition imagines an apocalyptic landscape of withered plant forms that come to life when activated with augmented reality. In collaboration with animator and media artist Grant Kirkpatrick, Ruffner illuminates the delicate balance between nature and the artificial human-built world around us, putting forth an optimistic hope for the future: that technology can be a means to understand and help save the earth from environmental devastation

Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum's Collection.

One of two inaugural exhibitions is Intersections in American Art, the major reinstallation and reinterpretation of the Museum’s Collection in a much-enlarged gallery space.

A response to the exhibition "Reforestation of the Imagination" by Ginny Ruffner, "Forest Feels" invites viewers to participate in two distinct realities of an art museum experience: to observe the work as it is in this moment, and also to change the work by contributing to its evolution. Located in the Wells Fargo Art PLAYce, viewers are invited to interact directly with the work, whether that means rearranging existing components, adding in new ones, or removing what is already there.