Exploring Sustainability and Technology in Art with New Exhibitions
The Appleby Foundation Exhibition Hall will host two distinct but related exhibitions that engage with new media to explore themes surrounding sustainability and humankind’s impact
The Appleby Foundation Exhibition Hall will host two distinct but related exhibitions that engage with new media to explore themes surrounding sustainability and humankind’s impact
Our latest exhibition, Shifting Perceptions: Photographs from the Collection, is now open! Organized by the Asheville Art Museum and guest-curated by Katherine Ware, it is
Richard Sharp Smith is well known for popularizing English arts-and-crafts architecture throughout Western North Carolina and beyond. An English immigrant, having worked at some of
Looking for a fun and fulfilling way to make a difference in your community? Providing group tour experiences as a volunteer educator is a rewarding
John Nygren earned his Master of Fine Arts in pottery at the Cranbrook Academy of Art in Bloomfield Hills, Michigan, in 1968 and that same
The Studies Building at Black Mountain College was designed by architect A. Lawrence Kocher and built by the students and faculty of Black Mountain College
José de Creeft learned from a range of sculptural traditions but ultimately arrived at his own spontaneous approach to form and material. He began to
George Peterson’s approach to sculpture employs destruction as a means of creation. He assembled this sculpture from broken skateboards and burned the surface of the
Asheville, NC —The Asheville Art Museum has again achieved Accreditation by the American Alliance of Museums (AAM)—the highest national recognition afforded the nation’s museums. AAM
A key figure in the California Pop art movement, Ed Ruscha’s art is laced with humor and irony because, as he has said, “Art has
We hope you and your loved ones are safe after Hurricane Helene. All Asheville Art Museum staff are safe. However, we are unable to open until water is restored.
If you’d like to support us, donations are crucial to helping our staff and teaching artists continue our mission of bringing art and creativity to the community. Thank you for your generosity and support. Please stay tuned for further updates.
Jim Dine, The Heart and the Wall, 1983. Color soft-ground and spitbite etching with power tool drypoint and sanding on Somerset textured paper, 89 ⅜ × 69 ½ inches. Asheville Art Museum, 2004 Collectors’ Circle purchase. © Jim Dine / Artists Rights Society (ARS), New York.