This book was published on the touring exhibition, American Made: Paintings and Sculpture from the DeMell Jacobsen Collection, organized by the Dixon Gallery and Gardens, Memphis,
This stunning first major catalogue published by the Asheville Art Museum highlights and introduces the Museum’s Collection of American art from 1860 to the present.
A timely reexamination of the experimental New York print studio Atelier 17, focusing on the women whose work defied gender norms through novel aesthetic forms
Ray Johnson, Envelope from Ray Johnson, Black Mountain College, to Lorna Blaine, 101 East 85th Street, New York City, postmark March 4, 1947, ink and
Ray Johnson, Envelope from Ray Johnson, Black Mountain College, to Lorna Blaine Halper, 101 East 85th Street, New York City, postmark March 7, 1947, mixed
Ray Johnson, Envelope from Ray Johnson, Black Mountain College, to Lorna Blaine Halper, 101 East 85th Street, New York City, postmark March 8, 1947, mixed
James McNeill Whistler, La Vieille aux Loques, 1858, etching and drypoint on laid paper, 8 1/8 × 5 3/4 inches. Museum purchase, 2000.04.63.
Louis Orr, Biltmore House, Asheville, NC, 1950, etching on paper, 8 1/4 × 10 1/4 inches. Gift of Gordon Harris, 1983.10.1.63. © Estate of Louis
Ernest David Roth, The Port–Camogli–1931, 1933, etching on paper, 9 1/2 × 8 7/8 in. Gift of Elizabeth Roebling, 2000.18.03.61. © Estate of Ernest David
Garry Knox Bennett, #1026, 2007, madrone burl, 5 × 9 1/2 × 9 1/2 inches. Gift of John & Robyn Horn, 2021.81.02. © Estate of
